TONGUE-IN-CHEEK

19 November - 17 December 2022
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  • CURATORIAL NOTE

    BY BAVISHA VARIGONDA
  • Ah! Winter can get our lazy-on and it can happen to the best of us. But isn’t it the best time to embody the spirit of the often underrated theme of play and playfulness in the process of creation and pure joy of uninhibited expression; adding free-spirited moments and vibrant colors to your perception and almost nudging you to look at life with fresh eyes. 
     
    Artflute presents to you Tongue-in-cheek, a three-women show who explore and express through their works the spirit of playfulness, the charm of naivety and the ball of satire. The collection offers a wide range of works in diverse mediums and these three independent women artists appear to diverge and oftentimes converge through their works, processes and thoughts that iterate the creation of these valued pieces.


  • 1. VISHAKHA JINDAL

    THE SPIRIT OF PLAYFULNESS 

  • Vishakha Jindal with her child-like spirit and mannerism in approaching her work, aptly represents playfulness as she employs a spontaneous...
    Vishakha Jindal with her child-like spirit and mannerism in approaching her work, aptly represents playfulness as she employs a spontaneous...
    Vishakha Jindal with her child-like spirit and mannerism in approaching her work, aptly represents playfulness as she employs a spontaneous...

    Vishakha Jindal with her child-like spirit and mannerism in approaching her work, aptly represents playfulness as she employs a spontaneous process to explore the relationships between various visual elements, especially color and form. Her work exhibits an ideal state of suspending reality where the artist herself engages in a delightful and a care-free experience in the making of the artworks which is later reflected and conveyed through her paintings - almost extending an invitation to you to join the experience and have fun. Her work is universal in nature and free of socio-cultural context, thus allowing you to interpret it in your own way.

     

    Instinctive, spontaneous, and abstract are defining markers of her art-practice. She breaks free from various artistic convictions; the Canvas Cutouts Body Art collaboration and Limited Edition Painted Ceramic Lamps are the projects where the artist transports the act of painting beyond 2-dimensional surface plane.

     
  • I've had two major interests since I was a child: art and play. Almost every day, I had the opportunity... I've had two major interests since I was a child: art and play. Almost every day, I had the opportunity... I've had two major interests since I was a child: art and play. Almost every day, I had the opportunity... I've had two major interests since I was a child: art and play. Almost every day, I had the opportunity... I've had two major interests since I was a child: art and play. Almost every day, I had the opportunity...

    I've had two major interests since I was a child: art and play. Almost every day, I had the opportunity to engage in traditional indoor and outdoor games.

    When I was alone, I would draw pictures with whatever art supplies I had on hand.

    I realized how much of an impact it had on my current thinking and approach to art.

    The foundation of my practice allows me to explore my ideas without restricting the medium, so I'm open to creating, designing, and collaborating on art as well as objects that evoke imagination, joy, and wonder in the viewer. 

    - Vishakha

  • Pool Party, Set of 2 | Acrylic on Canvas | 10 x 12 inches Pool Party, Set of 2 | Acrylic on Canvas | 10 x 12 inches Pool Party, Set of 2 | Acrylic on Canvas | 10 x 12 inches

    Pool Party

    Set of 2 | Acrylic on Canvas | 10 x 12 inches

    Soothing streams of abstract forms and bright colors in playful compositions are the hallmark of Vishakha’s works. Subtly navigating the roads of combining forms and colors to create visual elements and employing an abstract manner in storytelling; Pool Party is one such work that exemplifies this style that's so unique to her. The exquisite choice of the color palette with the bright yellows and orange transporting you to a hot summer afternoon; while the use of pastel pink and green balance out the composition, the flow and rhythmic format of the purple lines hovering around the canvas making connections between forms narrates a story of a one fine pool party. Especially interesting is the recurrent use of the floating tube forms in vivid fashion. 

  • She also relates her style and practice with what art critic Jerry Saltz stated, 

    “Too direct a 'meaning' in your work takes your work away from art’s startlingly languageless country.

    To simply 'understand' diminishes pleasure; points too narrowly. When we don’t apprehend, it extends art as something to look at further. It becomes locationless.”

  • FEATURED WORKS OF VISHAKHA JINDAL

    • Vishakha Jindal Pool Party, 2018 Acrylic on Canvas 10 x 12 inches (each)
      Vishakha Jindal
      Pool Party, 2018
      Acrylic on Canvas
      10 x 12 inches (each)
      ₹43,100
    • Vishakha Jindal The Lamp of Play (in collaboration with Harshita Jhamtani) Stoneware (Clay) + Hand painted 7 inches (height) Set of 2
      Vishakha Jindal
      The Lamp of Play (in collaboration with Harshita Jhamtani)
      Stoneware (Clay) + Hand painted
      7 inches (height)
      Set of 2
      ₹11,200
    • Vishakha Jindal The Road not Taken, 2018 Acrylic on Paper 22 x 22 inches
      Vishakha Jindal
      The Road not Taken, 2018
      Acrylic on Paper
      22 x 22 inches
      ₹38,000
    • Vishakha Jindal Vanity, 2018 Acrylic on Paper 22 x 30 inches
      Vishakha Jindal
      Vanity, 2018
      Acrylic on Paper
      22 x 30 inches
      ₹39,800
  • OTHER WORKS OF VISHAKHA JINDAL


  • 2. RASHMI POTE

    the charm of naivety

  • Rashmi Pote envelopes the idea of play in creation by extending her forms as vessels of emotional states; her stylised forms and composition carry a non-presumptuous nature of expressing and confronting ambiguous and intense emotions states with simplicity and sensibility. 

     

    Rashmi Pote is a self-taught artist based in Mumbai. With her background in English Literature, she constantly seeks inspiration from a new book, a poem, a quote, or even just a single beautiful word that she comes across. Her works express ambiguous feelings clearly through the specific style she has evolved through her years of practice. She seeks to push the boundaries of the various media, materials and techniques to constantly innovate and experiment in her art practice and to tell a unique story.

     

    The sustainability movement has deeply influenced her art practice and constantly strives towards minimizing waste through creating sustainable art, with found objects and recycled materials.

     
  • “For me, Literature and art always work together in synergy. Literature inspires art and art creates magical stories. The two...

    “For me, Literature and art always work together in synergy. Literature inspires art and art creates magical stories. The two are inseparable; two parts of a whole.”


    - Rashmi Pote
  • Rashmi's works are rooted in the perception of synchrony between the brilliant bounty of literature and the nature of reality;... Rashmi's works are rooted in the perception of synchrony between the brilliant bounty of literature and the nature of reality;... Rashmi's works are rooted in the perception of synchrony between the brilliant bounty of literature and the nature of reality;...

    Rashmi's works are rooted in the perception of synchrony between the brilliant bounty of literature and the nature of reality; and attempts to utilize this in her art practice. Like most of her work is influenced by literary sources, the work titled 'Landscapes of the Sun/Mind - Fourteen Fourteen' is inspired by a beautiful Buddhist teaching by Pema Chodron, an American Tibetan Buddhist ordained nun.

    “Things falling apart is a kind of testing and also a kind of healing. We think that the point is to pass the test or to overcome the problem, but the truth is that things don’t really get solved. They come together and they fall apart. Then they come together again and fall apart again. It’s just like that. The healing comes from letting there be room for all of this to happen: room for grief, for relief, for misery, for joy.”

     

    - Pema Chodron

  • FEATURED WORKS OF RASHMI POTE

    • Rashmi Pote Elixir, 2021 Mixed Media on Paper 16.5 x 23.5 inches
      Rashmi Pote
      Elixir, 2021
      Mixed Media on Paper
      16.5 x 23.5 inches
      ₹56,000
    • Rashmi Pote Landscapes of the Sun/Mind - Fourteen Fourteen, 2019 Mixed Media on Paper 22 x 30 inches
      Rashmi Pote
      Landscapes of the Sun/Mind - Fourteen Fourteen, 2019
      Mixed Media on Paper
      22 x 30 inches
      ₹60,300
    • Rashmi Pote If Trees could Talk - Digging Deep, 2020 Mixed Media on Paper 11.5 x 14 inches
      Rashmi Pote
      If Trees could Talk - Digging Deep, 2020
      Mixed Media on Paper
      11.5 x 14 inches
  • OTHER WORKS OF RASHMI POTE


  • 3. SRINIA CHOWDHURY

    the ball of satire

  • While Srinia Chowdhury with her masters in Fine Arts carries a specialization in Bronze, she consciously uses ceramics as her...
    While Srinia Chowdhury with her masters in Fine Arts carries a specialization in Bronze, she consciously uses ceramics as her...
    While Srinia Chowdhury with her masters in Fine Arts carries a specialization in Bronze, she consciously uses ceramics as her...
    While Srinia Chowdhury with her masters in Fine Arts carries a specialization in Bronze, she consciously uses ceramics as her medium for sculpture. She is a recent awardee of Jyotsna Bhatt Ceramics Award 2022 announced by Ark Foundation. Her ceramics practice brings in illustrations as strong elements through satire on socio-political issues and human behavior. She brings an innovative approach to comment on issues such a male gaze, moral policing and gender roles through her bright and peppy ceramic pieces. The strikingly cherry themes and ideas she captures in a visually light-hearted and frivolous ceramic sculpture truly mark her style.
  • I am a storyteller. My works are a combination of form and narration. Inspiration for my sculptures/Installation stems from my... I am a storyteller. My works are a combination of form and narration. Inspiration for my sculptures/Installation stems from my... I am a storyteller. My works are a combination of form and narration. Inspiration for my sculptures/Installation stems from my... I am a storyteller. My works are a combination of form and narration. Inspiration for my sculptures/Installation stems from my... I am a storyteller. My works are a combination of form and narration. Inspiration for my sculptures/Installation stems from my... I am a storyteller. My works are a combination of form and narration. Inspiration for my sculptures/Installation stems from my...

    I am a storyteller. My works are a combination of form and narration. 

    Inspiration for my sculptures/Installation stems from my long standing curiosity of human behavior, my observation of daily life and the funny ways of society.

    I often use ceramic as a medium because it allows me to sculpt, draw and paint all in one medium.

     

    - Srinia Chowdhury

  • All Eyes on You, 7 x 4 inches x 108 pieces | Engobe and sgraffito on paper clay ceramic (stoneware)

    All Eyes on You

    7 x 4 inches x 108 pieces | Engobe and sgraffito on paper clay ceramic (stoneware)

    All Eyes on You is a ceramic wall art installation by Srinia Chowdhury highlighting and emphasizing the gaze of all of society on women. She witnesses the global patriarchal pressures that all genders are subject to. She believes that art has the potential to be a powerful social instrument, her work satirizes the pervasive patriarchy and the strain it puts on people of all genders.
    This specifically majestic piece with stylized eyes is bold and striking yet has a playful and cherry undertone. The use of black and white to create eyeball motifs and the simplicity of the idea to communicate the complex and dynamic structure that we live within is remarkable. The overall composition and the arrangement of each piece itself takes up the form of an eye, an eye that’s watching you. 

  • FEATURED WORKS OF SRINIA CHOWDHURY

  • OTHER WORKS BY SRINIA CHOWDHURY

    Srinia Chowdhury
    All Eyes on You
    Engobe and Sgraffito on Paper Clay Ceramics, Stoneware (1280°C), Handcarved pieces
    7 x 6 feet (approx)
  • Most often the word, 'play' is often associated with kids. Understandably as they are the ones who play the most and it's probably when you played the most too!
    But play is how we explore our world, and ourselves in a way that opens up new possibilities, ideas and solutions.
    Being playful is as much a state of mind as an action. For many of us, the bigger barrier to being playful or creative is... us! These three women artists have approached and explored the idea of play and creation with outward playfulness, sensuous naivety and otherwise cherry in their own quirky means and modes. It's how Eva Balke would say, from his article on “Play and the Arts: The importance of the “Unimportant” (1997), “the true artist has something of the same attitude toward life as the playful child: their awareness of time disappears when playing or creating”. We hope we were able to take you through a visual journey, through this collection, and provide a space for play and embark on a new perspective of imagination.